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Joe Goode was born in Oklahoma City, Oklahoma, in 1937. In 1959, he moved to Los Angeles, California, where he attended the Chouinard Art Institute until 1961. Goode is considered a seminal figure in the development of the Los Angeles art scene in the early 1960s and his work was included in the 1962 groundbreaking exhibit New Painting of Common Objects alongside Andy Warhol, Roy Lichtenstein and Jim Dine at the Pasadena Art Museum. This exhibition, curated by Walter Hopps, was the first Pop Art museum exhibition in the United States and earned Goode critical acclaim while securing his place in art history.
Goode is associated with Light and Space, a West Coast movement dedicated to exploring the experience of seeing that emerged in the early 1960s. He has consistently questioned the nature of experience through the continuous refinement of this basic, conceptual theme in more than five decades of producing innovative paintings, sculptures, works on paper, prints and photographs. Training his eye onto specific subjects found in the home or in nature, Goode’s works question the authenticity of experience through the interplay of abstraction and representation. They are brought to life through his use of color and continual shift of perception, moving between the margins of the literal and the abstract. Much of Goode’s work has focused on natural phenomena such as cloud formations that further his perceptual inquiry and evoke questions regarding the environment and our relationship to it.
Joe Goode’s work has been widely recognized in the United States and Europe and was the subject of numerous museum exhibitions. His work is included in major institutional collections including the Los Angeles County Museum of Art, the Museum of Contemporary Art Los Angeles, the Smithsonian Institution, the Whitney Museum of American Art, the Museum of Modern Art New York, the Victoria and Albert Museum London and the Moderna Museet Stockholm. The artist lives and works in Los Angeles, California.
Born 1937 Oklahoma City, Oklahoma, USA.
Lives and works in Los Angeles, California, USA.
Chouinard Art Institute, Los Angeles, California
American Foundation of Artists
Cassandra Foundation
Copley Foundation
Maestro Grant, California Art Council
National Endowment for the Arts
Joe Goode: Sea and Sky, Leslie Sacks Gallery, Santa Monica, CA, USA
Joe Goode: Milk Bottles & Sake Cups. Work from 1971-2020, Texas Gallery, Houston, USA
Joe Goode. Milk Bottles and Clouds, Galerie Thomas Zander, Cologne, Germany
Joe Goode. Twenty Years Later…, Kohn Gallery, Los Angeles, California
Joe Goode, Ed Ruscha. Yesterday’s Treasures, Galerie Thomas Zander, Cologne, Germany
Environmental Impacts, Leslie Sacks Gallery, Santa Monica, California
Joe Goode, Peter Blake Gallery, Laguna Beach, California
Joe Goode, Leslie Sacks Gallery, Santa Monica, California
Joe Goode. Old Ideas with New Solutions, Kohn Gallery, Los Angeles, California
Joe Goode. Curtain Calls, Texas Gallery, Houston, Texas
Joe Goode, Peter Blake Gallery, Laguna Beach, California
Joe Goode, Contemporary Art Museum, St. Louis, Missouri
Joe Goode. Tip of the Iceberg, Leslie Sacks Contemporary, Santa Monica, California
Joe Goode. Moonglows and Fireflies, Koki Arts, Tokyo, Japan
Joe Goode. There’s Always Tomorrow, Van Doren Waxter, New York
Joe Goode. Cloud Paintings from the 60s and 70s, Franklin Parrasch Gallery, New York
Joe Goode. Works from the ‘60s, Franklin Parrasch Gallery, New York
Joe Goode. 60s and 70s, Franklin Parrasch Gallery, New York
Joe Goode. Recent Paintings, Franklin Parrasch Gallery, New York
Joe Goode, Orange County Museum of Art, Newport Beach, California
Space Sawada, Tokyo, Japan
Shasta College, Redding, California
Laboratory: Joe Goode. Tornado Triptych, Los Angeles County Museum of Art, Los Angeles, California
Joe Goode. Paintings: Environmental Impact Series, ARCO Center for Visual Art, Atlantic Richfield Company, Los Angeles, California
Joe Goode. A Selection of Paintings and Drawings, Mount Saint Mary’s College, Art Gallery, Los Angeles, California
Joe Goode. Recent Work, Washington University Gallery of Art, St. Louis, Missouri
California State University, Northridge, California
Joe Goode. Work Until Now, Fort Worth Art Center, Fort Worth, Texas
Minneapolis Institute of the Arts, Minneapolis, Minnesota
La Jolla Museum of Contemporary Art, La Jolla, California
Joe Goode. Wall Reliefs, Pomona College Art Gallery, Montgomery Art Center, Claremont, California
¿Y Esa Luz? Es Tu Sombra: A Symphony Of Lights And Shadows, Miami, Florida, USA
2023 – 2024
Shadow and Light, New Mexico Museum of Art Vladem contemporary Santa Fe, New Mexico, USA
The Corporate Collector: Gifts of the Gelson’s Collection, Long Beach Museum of Art, Long beach, CA, USA
Color Fields, Long Beach Museum of Art, Long Beach, CA, USA
The Curatorial Imagination of Walter Hopps, The Menil Collection Museum District, Houston, Texas, USA
Work in Progress: The Weisman Museum Collection at 30, Frederick R. Weosman Museum, Malibu, CA, USA
Unsettled Landscapes, Montgomery Art Center, Montgomery, Claremont, CA, USA
Mad Women. Kornblee, Jackson, Saidenberg, and Ward, Art Dealers on Madison Avenue in the 1960s, David Nolan Gallery, New York, USA
War Babies & The Studs, Librairie Marian Goodman, Paris, France
OK/LA, Fred Jones Jr. Museum of Art, Norman, OK, USA
International Pop, The Mayor Gallery, London, UK
The Edge of Light: Historic and Contemporary Perspectives on California Abstraction, The Huntington Beach Art Center, California, USA
Dilexi Gallery: Disparate Ontologies, The Landing, Los Angeles, USA
Japan is America, Fergus McCaffrey, New York, USA
Made In California: Contemporary Art from the Frederick R. Weisman Art Foundation, Pete & Susan Barrett Art Gallery, Santa Monica College, Santa Monica, California and The Robert and Frances Fullerton Museum of Art (RAFFMA) at California State University, San Bernardino, California, USA
It’s All Black & White: Contemporary Art from the Frederick R. Weisman Art Foundation Frederick R. Weisman Museum of Art, Malibu, California
West by Midwest, Museum of Contemporary Art, Chicago, Illinois
California Cool, National Gallery of Australia, Canberra, Australia
CAMERA POP. La fotografia nella Pop Art di Warhol, Schifano & Co, CAMERA – Centro Italiano per la Fotografia, Turin, Italy
Sea of Desire, Fondation Carmignac, Porquerolles Island, France
Black & White & In Between: Contemporary Art from the Frederick R. Weisman Art Foundation, Carnegie Art Museum, Oxnard, California
Artists of Color, Underground Museum, Los Angeles, California
Measure, Gesture, Form, Portland Art Museum, Portland, Oregon
Duchamp to Pop, Norton Simon Museum, Pasadena, California
Selections from the Collection, Museum of Contemporary Art, San Diego, California
Burning Small Fires, Franklin Parrasch Gallery, New York
Made in California: Selections from the Frederick R Weisman Art Foundation, Mana Contemporary, Jersey City, New Jersey
LA / MA: ‘60s Pop from Both Coasts, Rose Art Museum (at Brandeis), Waltham, Massachusetts
Experience 19: Touch, El Segundo Museum of Art, El Segundo, California
Material Matters: Selections from the Joann and Gifford Phillips Gift, New Mexico Museum of Art, Santa Fe, New Mexico
Environmental Impact, The Frederick R. Weisman Museum of Art, Malibu, California
The Colour of Landscape: A Tribute to Joe Goode, Hilger BROTKunsthalle, Vienna, Austria
California Art: Selections from the Frederick R. Weisman Foundation, Carnegie Art Museum, Oxnard, California
Pacific Standard Time: Art in L.A., 1945-1980, Traveling exhibition beginning at the Getty Center, Los Angeles, California; Martin Gropius-Bau, Berlin, Germany
Agnes Martin, Anne Truitt, Joe Goode, Franklin Parrasch Gallery, New York
Severely Clear: Peter Alexander, Joe Goode, Franklin Parrasch Gallery, New York
It Happened at Pomona: Art at the Edge of Los Angeles, Pomona College Museum of Art, Claremont, California
Surface Tension: Contemporary Prints from the Anderson Collection, de Young Fine Arts Museum, San Francisco, California
Price, Kauffman, Eggleston, Goode, Alexander, Davis, Franklin Parrasch Gallery, New York
Venice in Venice, Glow & Reflection: Venice, California Art from 1960, Nyehaus at Palazzo Contarini degli Scrigni, Venice, Italy
Pacific Standard Time: Art in L.A. 1945-1980, The Getty Center, Los Angeles, California
Greetings from L.A.: Artists and Publics, 1950-1980, Getty Research Institute, Los Angeles, California
Under the Big Black Sun: California Art 1974-1981, Museum of Contemporary Art, Los Angeles, California
Proof: The Rise of Printmaking in Southern California, Norton Simon Museum, Pasadena, California
Artistic Evolution: Southern California Artists and the Natural History Museum of L.A., 1945-1963, Natural History Museum, Los Angeles
Best Kept Secret: UCI and the Development of Contemporary Art in Southern California, 1964-1971, Laguna Art Museum, Laguna Beach, California
Common Objects: Pop Art from the Collection, Museum of Contemporary Art, Los Angeles, California
High Fidelity: Selections from the 1960s and 1970s, Museum of Contemporary Art, San Diego, California
California Art: Selections from the Frederick R. Weisman Foundation, Frederick R. Weisman Museum of Art, Malibu, California
The Artist’s Museum, Museum of Contemporary Art, Los Angeles, California
Elements of Nature, Frederick R. Weisman Museum of Art, Malibu, California
Pro-tege, Todd Madigan Gallery, California State University, Bakersfield, California
Hot Spots. Rio de Janeiro / Milano – Torino / Los Angeles 1956 – 1969, Kunsthaus Zürich, Zurich, Switzerland
LA A Select Survey of Art from Los Angeles, Center for Contemporary Art, Sacramento, California
Collecting Collections: Highlights from the Permanent Collection of the Museum of Contemporary Art, MOCA, Los Angeles, California
Photos and Phantasy: Selections from the Frederick R. Weisman Foundation, Carnegie Art Museum, Oxnard, California
Reflections from the Artist’s Eye: Contemporary Art from the Frederick R. Weisman Art Foundation, Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, California
Time & Place: Los Angeles, 1958-1968, Moderna Museet, Stockholm, Sweden
Art and Illusion: Selections from the Frederick R. Weisman Art Foundation, Susquehanna Art Museum, Harrisburg, Pennsylvania
Line Drive, Hamilton Press, Venice, California
Wall Rockets: Contemporary Artists and Ed Ruscha, FLAG Art Foundation, New York
Nepotism, LA Contemporary Gallery, Los Angeles, California
Out of Oklahoma: Contemporary Artists from Ruscha to Andoe, Price Tower Arts Center, Bartlesville, Oklahoma (travelled to Fred Jones Jr. Museum of Art, The University of Oklahoma, Norman, Oklahoma)
If Everybody had an Ocean, Tate St Ives, Porthmeor Beach, St Ives, UK (travelled to CAPC Musee d’Art Contemporain, Bordeaux, France)
California Art: Selections from the Frederick R. Weisman Art Foundation, Bel Air, California
The Eclectic Eye: Selections of Fantasy and Illusion from the Frederick Weisman Art Foundation, Contemporary Art Center, New Orleans, Louisiana (travelled to Colorado Springs Fine Arts Center Inaugural Exhibition, Colorado Springs, Colorado)
Endless Western Sunset, Leo Castelli Gallery, New York
Imaging and Imagining California Modern, Orange Museum of Art, Newport Beach, California
Roots and Ties, Untitled Art Space, Oklahoma City, Oklahoma
California Art: Selections from the Frederick R. Weisman Art Foundation, Bel Air, California
Los Angeles – Paris, Centre Georges Pompidou, Paris, France
California Modern, Orange County Museum of Art, Newport Beach, California
L.A. Art Scene: Selections of California Artists from the Frederick Weisman Art Foundation Beverly Hills Municipal Gallery, Beverly Hills, California
Los Angeles presentation of WA: Art of Japanese Paper, Japanese American Cultural and Community Center, Los Angeles, California
Photos and Phantasy: Selections from the Frederick R. Weisman Art Foundation, Frederick R Weisman Museum of Art, Pepperdine University, Malibu, California
Flow, Riverside Art Museum, Riverside, California
Flow, Berman/Turner Projects, Santa Monica, California
Wilder: a Tribute to the Nicholas Wilder Gallery, Los Angeles 1965-1979, Franklin Parrasch Gallery, New York
The Eclectic Eye: Selections from the Frederick R. Weisman Art Foundation, Frederick R. Weisman Museum of Art, Malibu, California
Extra-Ordinary: The Everyday Object in American Art – an exhibition selected from the Whitney’s Permanent Collection, Frist Center for the Visual Arts, Nashville, Tennessee
Monocromos: de Malevich al Presente, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
Made in California: Selections from the Frederick R. Weisman Art Foundation Collection, Contemporary Arts Center, New Orleans, Louisiana
Pop Art: US/UK Connections, The Menil Collection, Houston, Texas
Recent Acquisitions of Contemporary California Works on Paper, California Palace of the Legion of Honor, Lincoln Park, San Francisco, California
Made in California, Los Angeles County Museum of Art, Los Angeles, California
Radical Past, Norton Simon Museum, Pasadena, California
Afterimage: Drawing through Process, Museum of Contemporary Art, Los Angeles, California
Selections from the Frederick R. Weisman Collections, Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, California
New Visions: Los Angeles Art in the 90’s, UCLA/Armand Hammer Museum, Los Angeles, California
Conversations on the Rim: Joe Goode and Tomaharu Murakami, Frederick R. Weisman Museum of American Art, Pepperdine University, Malibu, California
Southern California: The Conceptual Landscape, Madison Art Center, Madison, Wisconsin
Hand Painted Pop, American Art in Transition, 1955-62, Museum of Contemporary Art, Chicago, Illinois and Whitney Museum of American Art, New York
War Babies: Prints of the Sixties from the Collection, Los Angeles County Museum of Art, Los Angeles, California
Hand Painted Pop, American Art in Transition, 1955-62, Museum of Contemporary Art, Los Angeles, California
Instincts and Intuition, Newspace, Los Angeles, California
Territorium Artis, Bundeskunsthalle, Bonn, Germany
LA/Brazil Projects ’90, The Los Angeles Municipal Art Gallery, Barnsdall, Los Angeles, California
Art Park, Los Angeles, California (travelled to the Museu de Arte de Sao Paulo, Sao Paulo, Brazil
Joe Goode, Jerry McMillan, Edward Ruscha, Oklahoma Center Art Museum, Oklahoma, City, Oklahoma (travelled to Orlando Museum of Art, Orlando)
LA Pop in the Sixties, Newport Harbor Art Museum, Newport Beach, California (travelled to Henry Art Gallery, University of Washington, Seattle, Washington; Palm Springs, Desert Museum, Palm Springs, Florida; Neuberger Museum, State University of New York, Purchase, New York; Phoenix Art Museum, Arizona)
Selected Works from the Frederick R. Weisman Art Foundation, Frederick S. Wight Art Gallery, University of California, Los Angeles, California (travelled to Joslyn Museum of Art, Omaha, Nebraska; Neuberger Art Museum, State University of New York, Purchase, New York; Akron Art Museum, Akron, Ohio)
Suburban Home Life: Tracing the American Dream, Whitney Museum of Art, New York (travelled to Whitney Museum of American Art, Stamford, Connecticut)
Selections from the Frederick R. Weisman Collection, Fine Arts Center, Colorado Springs, Colorado
The Eclectic Eye: Selections from the Frederick R. Weisman Art Foundation, New Mexico State University, University Hall, Las Cruces, New Mexico (travelled to Bridge Center for Contemporary Art, El Paso, Texas; Cheney Cowles Art Museum, Spokane, Washington; Boise Art Museum, Boise, Idaho; University of Wyoming Art Museum; Virginia Beach Center for the Arts, Virginia Beach, Virginia; Gibbes Museum of Art, Charleston, South Carolina; Arkansas Center, Little Rock, Arkansas)
Selections from the Permanent Collection, Newport Harbor Art Museum, Newport Beach, California
Prints from the 60’s: American Pop, Norton Simon Museum, Pasadena, California
West Coast Contemporary, Sierra Nevada Museum of Art, Stremmel Galleries, Ltd., Reno, Nevada
Selections from the Frederick R. Weisman Collection, Baltimore Museum of Art, Baltimore, Maryland (travelled to Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania; Birmingham Museum of Art, Birmingham, Alabama; Norton Gallery and School of Art, West Palm Beach, Florida; Colorado Springs Fine Arts Center, Colorado Springs, Colorado; New Orleans Museum of Art, New Orleans, Louisiana; Cirrus Gallery, Los Angeles)
Pop Art: USA-UK, Odakyu & Rand Gallery, Tokyo, Japan (sponsored by the Nainichi Newspapers; travelled Daimaru Museum, Osaka; Funabashi Seibu Museum of Art, Funabashi; Sogo Museum of Art, Yokohama, Japan)
Highlights of California Art Since 1945: Collecting Partnership, Newport Harbor Art Museum, Newport Beach, California
Made in USA: An Americanization in Modern Art. The 50’s and 60’s, University Art Museum, University of California, Berkeley, Berkeley, California (travelled to the Nelson-Atkins Museum of Art, Kansas City, Missouri; Virginia Museum of Fine Art, Richmond, Virginia)
California Art Since 1945, Works from the Permanent Collection, Newport Harbor Art Museum, Newport Beach, California
Frederick R. Weisman Foundation Collection of Contemporary Art, Tel Aviv Museum, Tel Aviv, Israel
Gemini G.E.L.: Art and Collaboration, National Gallery of Art, Washington D.C. (travelled to Seattle Art Museum, Seattle, Washington; Nelson-Atkins Museum of Art, Kansas City, Missouri; Terra Museum of American Art, Evanston, Illinois; Los Angeles County Museum of Art, Los Angeles, California; National Museum of Art, Osaka, Japan; Yonago City Museum, Machida City Museum of Graphic Arts, Japan)
Frederick R. Weisman Foundation, Palm Springs Desert Museum, Palm Springs, Florida
The American Artist as Printmaker, Brooklyn Museum, Brooklyn, New York
LA Seen, University Art Gallery, University of Southern California, Los Angeles, California
Exchange between Artists – An Experience for Museums, Musée d’Art Moderne de Paris, Paris, France (travelled to Hyde Gallery, Ulster, Ireland)
Exchange Between Artists 1931-1982, Museum Stuki, Lodz, Poland
Decade: Los Angeles Painting in the Seventies, Art Center College of Design, Pasadena, California
Abstraction in Los Angeles, 1950-1980, Selections from the Ruth and Murray Gribin Collection, Fine Art Gallery, California State University, Northridge, California
Art in Los Angeles: Seventeen Artists in the Sixties, Los Angeles County Museum of Art, Los Angeles, California (travelled to the Museum of San Antonio, San Antonio, Texas)
Sixties, Los Angeles County Museum of Art, Los Angeles
California: The State of Landscape 1972-1981, Newport Harbor Art Museum, Newport Beach, California (travelled to Santa Barbara, California)
Los Angeles Prints, 1883-1980 (Part II), Los Angeles County Museum of Art, Los Angeles, California
Aspects of the Abstract: Recent West Coast Abstract Painting and Sculpture, Crocker Art Museum, Sacramento, California
Black and White are Colors: Paintings of the 1950’s-1970’s, The Claremont Colleges, Montgomery Art Center, Pomona College and Lang Gallery, Scripps College, Claremont, California
American Paintings of the 1970’s, Albright Knox Art Gallery, Buffalo, New York
Black Dolphin Prints, The Art Gallery, California State University, Long Beach, California
Selections from the Frederick R. Weisman Company Collection of California Art, The Art Gallery, California State University, Long Beach, California (travelled to Corcoran Gallery of Art, Washington D.C., Albuquerque Museum of Art, History and Science; the Fine Arts Gallery, California State University, Northridge, Los Angeles, California)
Aspects of the Abstract, Crocker Art Museum, Sacramento, California
Joe Goode, Edward Ruscha: Drawings, Laguna Gloria Art Museum, Austin, Texas
Exhibitions ’76, Cedars Sinai Medical Center Council for the Arts, Cedars Sinai Medical Center, Los Angeles, California
Artists Rug Show, McNay Institute with Everlasting Productions, San Antonio, Texas
Thirty Years of American Printmaking, Brooklyn Museum, Brooklyn, New York
Painting and Sculpture in California: The Modern Era, San Francisco Museum of Modern Art, San Francisco, California (travelled to National Collection of Fine Arts, Smithsonian Institution, Washington, D.C.)
Corcoran Gallery of Art, Washington D.C.
Current Concerns, Part 1, Los Angeles Institute of Contemporary Art, Los Angeles, California
Joe Goode, Matrix Gallery, Wadsworth Atheneum, Hartford, Connecticut
A Drawing Show, Newport Harbor Art Museum, Newport Beach, California
4 Los Angeles Artists, School of Visual Arts and Acquavella Gallery, New York
Print Show, Los Angeles County Museum of Art, California Margo Leavin Gallery, Los Angeles, California
Robert Rowan Collection, Art Gallery, Mount Saint Mary’s College, Los Angeles, California
Eight from California, National Collection of Fine Arts, Smithsonian Institution, Washington D.C.
Cirrus Editions, Oakland Museum, Oakland, California
American Pop Art, Whitney Museum of American Art, New York
Offset Lithography, Davidson Art Center, Ohio Wesleyan University, Delaware, Ohio
Surrealism is Alive and Well in the West, Baxter Art Gallery, California Institute of Technology, Pasadena, California
USA West Coast, Kunstverein, Hamburg (travelled to Hanover, Kölnischer Kunstverein, Cologne, Württembergischer Kunstverein and Stuttgart, Germany)
Contemporary American Art, Los Angeles, Fort Worth Art Center Museum, Fort Worth, Texas
Joe Goode, Kenneth Price, en Ed Ruscha: Grafiek en Boeken, Museum Boysmans-Van Beuningen, Rotterdam, Netherlands
California Prints, Museum of Modern Art, New York
West Coast, Denver Museum of Art, Denver, Colorado
Made in California, Grunwald Graphic Arts Foundation, University of California, Los Angeles, California
Continuing Surrealism, La Jolla Museum of Art, La Jolla, California
Thirty Second Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington D.C.
Oversize Prints, Whitney Museum of American Art, New York
The Museum Drawers, Le Musee Entiroirs, Das Schubladen-Museum, Kunsthaus Zürich, Zurich, Switzerland (travelled to Los Angeles Institute of Contemporary Art Southern Exposure, Stephen Wirtz Gallery, San Francisco, California)
Special Group Exhibition, Artist Studio, Venice, California
Three California Friends: Joe Goode, Billy Al Bengston, and Ed Ruscha, Contemporary Arts Foundation, Oklahoma City, Oklahoma
Looking West 1970, Joslyn Art Museum, Omaha, Nebraska
West Now, Omaha Museum of Art, Omaha, Nebraska
Nine Portfolios, Museum of Modern Art, New York (travelled to La Jolla Art Museum, La Jolla, California)
Drawings 1970, University of California at Santa Barbara, Santa Barbara, California
New Multiple Art, Whitechapel Gallery, London, UK
Contemporary American Drawings, Fort Worth Art Center Museum, Fort Worth, Texas
Pop Art Redefined, Hayward Gallery, London, UK
California Drawings 1969, Ithaca College Art Museum, Ithaca, New York
Charles Cowles Collection, Larry Aldridge Museum, Ridgefield, Connecticut
West Coast 1945-1969, Pasadena Art Museum, Pasadena, California (travelled to St. Louis Art Museum, St. Louis, Missouri; Art Gallery of Toronto, Canada; Fort Worth Art Center, Fort Worth, Texas and Reese Palley Gallery, San Francisco, California)
Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York
Small Paintings from the Museum Collection, Circulated by the American Federation of Arts, New York
West Coast Now, Portland Art Museum, Portland, Oregon
Joe Goode / Ed Ruscha, The Fine Arts Patrons of Newport Harbor, Balboa Pavilion Gallery, Newport Beach, California
Pittsburgh International Exhibition of Contemporary Painting and Sculpture, Museum of Art, Carnegie Institute, Pittsburgh, Pennsylvania
Two-men Drawing Show, Joe Goode and Ron Davis, Nicholas Wilder Gallery, Los Angeles, California
Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York, New York
Ten from Los Angeles, Seattle Art Museum, Seattle, Washington
Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York
Especially for Children, The Fine Arts Patrons of Newport Harbor, Balboa Pavilion Gallery, Newport Beach, California (travelled to the Los Angeles County Museum of Art, Los Angeles, California)
Collector’s Show, The Fine Arts Patrons of Newport Harbor, Balboa Pavilion Gallery, Newport Beach, California
Six More, Los Angeles County Museum of Art, Los Angeles, California
Pop Art USA, Oakland Art Museum, Oakland, California
New Paintings of Common Objects, Pasadena Art Museum, Pasadena, California
Four Oklahoma Artists, Oklahoma Art Center, Oklahoma City, Oklahoma
Art Institute of Chicago, Chicago, Illinois
Boise Art Museum, Boise, Idaho
Cantor Art Center, Stanford University, Palo Alto, California
De Young (Anderson Gallery of Graphic Arts), San Francisco, California
Donald Bren Foundation, Los Angeles, California
Fondation Carmignac, Paris, France
Frederick R. Weisman Art Foundation, Los Angeles, California
Grey Art Gallery of NYU, New York
Henry Art Gallery Collection, Seattle, Washington
Honolulu Museum of Art, Honolulu, Hawaii
Laguna Art Museum, Laguna Beach, California
Los Angeles County Museum of Art, Los Angeles, California
The Menil Collection, Houston, Texas
Metropolitan Museum of Arts, New York
Mildred Lane Kemper Art Museum, Washington University, St Louis, Missouri
Modern Art Museum, Fort Worth, Texas
Moderna Museet, Stockholm, Sweden
Museum of Contemporary Art, Los Angeles, California
Museum of Contemporary Art, San Diego, California
Museum of Fine Arts, Houston, Texas
Museum of Modern Art, New York
New Mexico Museum of Art, Santa Fe, New Mexico
Oklahoma City Museum of Art, Oklahoma City, Oklahoma
Oklahoma State Art Collection, Oklahoma City, Oklahoma
Orange County Museum of Art, Newport Beach, California
Portland Art Museum, Portland, Oregon
Rhode Island School of Design, Providence, Rhode Island
San Francisco Museum of Modern Art, San Francisco, California
Smithsonian Institution / Hirshhorn Museum, Washington D.C.
UBS Art Collections, Zurich, Switzerland
University of Kentucky Art Museum, Lexington, Kentucky
Fred Jones Jr Museum of Art, University of Oklahoma, Norman, Oklahoma
Walker Art Center, Minneapolis, Minnesota
Whitney Museum of American Art, New York
Yale University Art Gallery, New Haven, Connecticut
2017
Haefele, Marc, “Joe Goode: The Milk Bottle and The Infinite”, www.scpr.org, April 13,2017
Schwartzman, Allan, “20 postwar artists who deserve greater recognition”, www.artagencypartners.com, February 14, 2017
2016 Olivar, Amanda Quinn, “A Few Questions for Ed”, www.curator.site, August 9th, 2016
Goldner, Liz, “Joe Goode”, Art Scene California, July 2016
Haefele, Marc, “How a Nasty Winter Brought Revolutionary Art to So Cal”, www.scpr.org, April 27, 2016
Gleeson, Bridget, “A Tribute to Kiyo Higashi: a Formidable Art Dealer with Minimalist Tastes and a Curatorial Mind”, www.artsy.net, April 25, 2016
Michalarou, Efi, “Art-Presentation: Made in California”, www.dreamideamachine.com, February 27, 2016
Stromberg, Matt, “ArtRx LA”, www.hyperallergic.com, March 1, 2016
Riefe, Jordan, “Ed Ruscha on Marcel Duchamp: He Was a Guiding Light”, The Guardian, March 16, 2016
Mills, Michelle, “‘Duchamp to Pop’ Explores Artists’ Influences”, The San Gabriel Valley Tribune, March 3, 2016
Cheng, Scarlet, “Pop’s Pop”, Pasadena Weekly, February 25, 2016
Vankin, Deborah, “Exploring Marcel Duchamp’s influence on Pop art at the Norton Simon”, Los Angeles Times, February 6, 2016
“Made in California / Mana Contemporary”, Art Matter Magazine, February 18, 2016
“Peter’s Auction Pick of the Day: The Art of Collaboration”, www.lamodern.com, February 18, 20162015Newlove Schroeder, Amy, “Everything You Need to Know About L.A.’s New and Future Museums”, Los Angeles Magazine, May 20, 2015
Bowen, Jared, “The Rose Art Museum Pays Tribute to Warhol and Lichtenstein”, Boston Common, August 25, 2015
“5 Best Art Shows to Catch in Los Angeles This Weekend”, www.bbook.com, Feb. 27, 2015
Kinsella, Eileen, “Art Basel in Miami Beach 2015.” www.artnet.com, December 4, 2015
Murg, Stephanie, “9 Must-See Booths at Art Basel Miami Beach”, www.oceandrive.com, December 1, 2015
Swenson, Eric Minh, “Joe Goode: Tip of the Iceberg”, www.vimeo.com, Fall 2015
Daniel, Daria, “Artnet Asks: Dorsey Waxter, ADAA President and New York Gallerist”, www.artnet.com, February 27, 2015
Miller, Sarah Bryan, “Contemporary’s Spring Exhibitions feature Quilt, Folk art, Tornadoes, Portraits and the Red Sea”, St. Louis Post-Dispatch, January 17, 2015
Coyne, Mary, “Joe Goode at the Contemporary Art Museum St Louis”, www.drosteeffectmag.com, May 4, 2015
“Artist Joe Fay Talks About Life, Art, Montana, and Beagles”, www.huffingtonpost.com, August 11th, 2015
Steadman, Ryan, “Two Staunch Uptown Galleries Excite with Image-Based Painters, Both Old and New”, The Observer, April 23rd, 2015
“Arts America: Two Exhibits at CAM”, www.ninenet.org, April 2015
Pengelly, Martin, “These Guys Were Flying Blind”, The Guardian, April 11, 2015
Plagens, Peter, “Book Review / ‘Out of Sight’, Wall Street Journal, April 10, 2015
“Critic’s Pick”, Time Out New York, March 17, 2015
“Land, Air, Sea”, Glasstire, March 4, 2015
Arneson, Krystin, “Midwest, Refreshed”, www.alivemag.com, January, 2015
Stevens, Anise, “Kohn Gallery Celebrates Thirty Years with The West Coast
Avant-Garde: 1950s – Present”, www.aeqai.com, August 5, 2015
Bates, Rebecca, “Collector Spotlight: Jessica Witkin”, www.paddle8.com, July 6, 2015
Lin, Amy, “The West Coast Avant-Garde Artist at Kohn Gallery”, www.widewalls.ch, 20152014Goldman, Edward, “To Rome with Audrey, With Turrell to the Sky”, Art Talk, KCRW, August 24, 2014
McDonald, Kathy, “How Los Angeles’ Art Lovers Live”, Los Angeles Confidential, July 14, 2014
Anspon, Catherine, “Framed: It was a Very Goode Year”, PaperCITY, December 16, 2014
“CAM to Feature Joe Goode”, The Edwardsville Intelligencer, December 4, 2014
“Top Five”, Glasstire, December 11, 2014
Ross, Jack, “Contemporary Art Museum to feature Joe Goode”, Arts & Entertainment, The Intelligencer, December 4, 2014
“Environmental Impact: Selections from the Frederick R. Weisman Art Foundation”, www.broadwayworld.com, August 20, 2014
Goldman, Edward and Drohojowska-Philp, Hunter, “Joe Goode’s Flat Screen Nature”, Art Talk, KCRW, August 14, 2014
Gelt, Jessica, “Sotheby’s To Auction Part of L.A. Gallerist Joni Gordon’s Collection”, Los Angeles Times, August 1, 2014
Munro, Cait, “10 International Gallery Shows to Make You Smile”, Art News, July 29, 2014
Griffin, Jonathan, “Joe Goode: Flat Screen Nature”, ArtReview, July 24, 2014
Wagley, Catherine. “5 Artsy Things to Do in L.A. This Week.” L.A. Weekly, July 23, 2014
Knight, Christopher, “Joe Goode at Michael Kohn Gallery”, Los Angeles Times, July 18, 2014
Ruscha, Ed and Symonds, Alexandria, “Seven Decades: Joe Goode X Ed Ruscha”, Interview Magazine, July 11, 2014
“Joe Goode: Flat Screen Nature”, www.fabrik.la, July 11, 2014
Martin, Jeff, “OK/L.A”, The Tulsa Voice, January 20142013Burrichter, Felix, “Transparent Motifs”, Document Journal, Fall/Winter 2013
Giuliano, Charles, “Williams College Museum of Art, ‘Now Dig This!’ Art and Black Los Angeles, 1960-1980.” Artes Magazine, October 14, 2013
“The Colour of Landscape-A Tribute to Joe Goode.” Welcome to Vienna, October 3, 2013
“International Bidding Drives California Works to New Highs,” Mutual Art, September 3, 2013
Goldman, Edward, “Art Adventure This Side of the 405”, www.huffingtonpost.com, May 21, 2013
Brown, Betty Ann, “Freeway Studies #1: This Side of the 405”, Art Scene, May 21, 2013
“Bonhams $1.35 Million Made in California: Contemporary Art Sale Breaks Four World Records”, Bonhams, April 3, 2013
“Using Many Mystic Styles”, Los Angeles Times, January 18, 2013
Knight, Christopher, “‘Into the Mystic,’ at the Michael Kohn Gallery.” Los Angeles Times, January 17, 2013
Smith, Roberta, “Ambushed by Sundry Treasures”, New York Times, January 3, 20132012Dambrot, Shana Nys, “Check Out Any Time You Like,” L.A. Weekly, December 27, 2012
Saltz, Jerry, “The Best of the Basement”, New York Magazine, December 9, 2012
Burns, Charlotte, “Gallerist Head to Hollywood,” The Art Newspaper, October 9, 2012
Huber, Mary, “Major LA Gallery Announces Closing”, Art in America, August 15, 2012
“Pairings: The Collection at 50”, www.artweek.la, August 14, 2012
Wagley, Catherine, “Pablo Rasgado: Fragmental/ John Divola, Sayre Gomez, Joe Goode: L’idee Fixe”, L.A. Weekly, July 12, 2012
“Minimalism: Not Strictly Formal”, www.artweek.la, June 18, 2012
“‘Twice as Many, Antony Donaldson & Joe Goode,’ at Mayor Gallery”, www.blouinartinfo.com, May 1, 2012
Lima, Ben, “The Dallas Art Fair: A Guide For Beginners,” D. Magazine, April 13, 2012
“Ed’s Party Spheres of Influences in the L.A. Art Scene”, www.artweek.la, February 27, 2012
“Jerry McMillan: The Artist’s Image”, www.artweek.la, February 27, 2012
Vittachi, Imran, “Auction Items Are Going, Going and Soon to Be Gone”, Tribune Business News, February 3, 2012
“Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture, 1950-1970”, www.artweek.la, January 31, 2012
Knight, Christopher, “‘It happened at Pomona, Part II’ at Pomona College”, Los Angeles Times, January 23, 2012
Cotner, David, “Berlin Meets Bakersfield”, L.A. Weekly, January 5, 20122011Ollman, Leah, “Joe Goode: Michael Kohn”, Art In America, December 14, 2011
“Lost & Found: Abstracting Los Angeles 1945-1980”, www.artweek.la, December 19, 2011
Tompkins Rivas, Pilar, “Civic Virtue: Intersections of Art, Agency and Activism”, www.artweek.la, December 11, 2011
Drohojowska-Philp, Hunter, “L.A. Confidential: Pacific Standard Time in Los Angeles Galleries”, www.artnet.com, November 29, 2011
“California Art: Selections from the Frederick R. Weisman Art Foundation”, www.artweek.la, November 21, 2011
Mizota, Sharon, “PST, A to Z: ‘Greetings from L.A.’ ‘Crosscurrents’ at the Getty Center”, Los Angeles Times, November 4, 2011
Yau, John, “Art In Conversation: Richard Van Buren with John Yau”, The Brooklyn Rail, November 2, 2011
Gleason, Matt, “Art Platform Top Ten Artists”, www.huffingtonpost.com, October 10, 2011
McMillan, Jerry, Lubliner, Malcom and Silver, Marvin, “L.A. Art Scene: A Photo Album”, Art Ltd. Magazine, September / October 2011, 66-69
Finkel, Jori, “ From Baldessari to Teske, Top 20 Pacific Standard Time Artists”, Los Angeles Times, September 18, 2011
Drohojowska-Philp, Hunter. “Pacific Standard Time: How L.A. Artists Took ‘60s Scene by Storm”, Los Angeles Times, September 18, 2011
“Paid to Play”, www.artweek.la, September 12, 2011
Blodgett, Lucy, “Michael Kohn Gallery Hosts Joe Goode’s Nighttime 1977-1978”, www.huffingtonpost.com, September 16, 2011
Smith, Barbara T., “Barbara T. Smith: How Divorce Causes Performance Art”, L.A. Weekly, September 2, 2011
Pagel, David, “Will be Home…At Ambach & Rice”, Los Angeles Times, August 25, 2011
Muchnic, Suzane, “Renegade in the Sun: ‘60s Art in L.A.”, Los Angeles Times, July 17, 2011, E9
“Venice in Venice Exhibition Tells the Story of the Birth of the Los Angeles Art Scene”, www.artdaily.com, June 2011
Knight, Christopher, “Art Reviews: ‘William Leavitt: Theater Objects’ at the Museum of Contemporary Art”, Los Angeles Times, March 16, 2011
Fensom, Sarah E., “Too Cool for School”, Art & Antiques Magazine, March, 2011
“Joe Goode Speaks About His Work”, www.blogs.getty.edu, March 2011
Webb, Poul, “Joe Goode”, http://poulwebb.blogspot.com, February 5, 2011
Gelt, Jessica. “Billy Al Bengston Shows His Softer Side in a Show Curated by His Wife, Wendy Al”, Los Angeles Times, January 21, 2011
Finkel, Jori, “Galleries Join ‘Pacific Standard Time”, Los Angeles Times, Thursday, January 20, 2011, D62010Olivier, Ellen, “Scene and Heard: Michael Kohn Gallery Party”, Los Angeles Times, November 2010
Britt, Douglas, “Art Exhibits: Portraits, Psychedelic Pieces Worth Seeing”, Houston Chronicle, August 13, 2010
Capezzuto, Joe, “In Print: Jacob Samuel’s ‘Outside the Box’”, www.fineartsla.com, Monday, August 2, 2010
Ostrow, Saul, “Swell”, Art in America, October 7, 2010
Smith, Roberta, “Artist and Surfer As Best Buddies”, New York Times, July 2010, C 23
Britt, Douglas, “Art Texas Gallery Survives and Even Thrives Owners Celebrate Its 40-year History With The New Exhibit, 40”, The Houston Chronicle, July 1, 2010, 10
Parson, Russ, “Cassell’s: Memories of Meat”, Los Angeles Times, June 10, 2010
Ollman, Leah, “Art Review: Suzy Poling and Cynthia Greig at DNJ”, Los Angeles Times, June 2010
Beil, Kim, “‘Joe Goode: Golden Dreams’ at Greenfield Sacks Gallery”, Art Ltd. Magazine, March / April 2010, pp. 17
Buitron, Michael, “Joe Goode January 30-March 6, 2010”,www.artscenecal.com, January 2010
“Joe Goode, Larry Bell, Ron Miyashiro, and Jerry McMillan speak about the exhibition War Babies, 2010-2011”, www.blogs.getty.edu
Hawthorne, Christopher, “An Ambitious Design”, Los Angeles Times, January 29, 2010, D122009Clark, Erin, “The Angles of Joe Goode”, Artworks, Winter 2009, pp. 20-28
Nelson, Karin, “Pulse; Bike of the Month Club”, New York Times, December 29, 2009
Lobel, Michael, “Outside the Frame”, Artforum, September, 20092008“Joe Goode: No Bed of Roses”, Gallery Guide West, December, 2008, pp. 10-11
Knight, Christopher, “Giorgio Morandi Meets Joe Goode”, Los Angeles Times, October 29, 2008
“Lecture at DNJ Gallery”, www.youtube.com, May 17, 2008
O’Connor, Anne-Marie, “Igniting His Passion”, Los Angeles Times, May 4, 2008
Collins, Aaron, “For Goode, Bad Studio Fire Unlocks Seeds of Creative Potential”, Lifestyle, May 2008, pp. 42-46
Gillick, Liam, “The Difference Engine”, Artforum, May 2008, pp. 322-325
Ollman, Leah, “Sunburns’ illuminates with Astonishing Camera Tricks”, Los Angeles Times, April 18, 2008
Turner, Nancy Kay, “Joe Goode at DNJ Gallery”, www.artscenecal.com, April 5, 2008
Frank, Peter, “Going with the Flow”, Art Ltd. Magazine, February, 2008
Green, Tyler, “Acquisition of Joe Goode at the Menil”, www.blouinartinfo.com, January 31, 2008
Peter, Frank, “Artifact and Fiction”, L.A. Weekly, January 30, 20082007McCormick, Janice, “Out of Oklahoma: Contemporary Artists from Ruscha to Andoe”, Art Focus Oklahoma, May/June, 2007
McDonnell, Brandy, “Honoring Roots & Ties”, News OK, November 9, 2007
Drohojowska-Philp, Hunter, “Left Coast”, www.artnet.com, July 27, 2007
“A Different Kind of Freedom”, LACMA Members Magazine, July/Aug. 2007, p. 3
Drohojowska-Philp, Hunter, “Los Angeles Cool”, www.artnet.com, October 15, 2007
Jones, Jonathan, “Still Waters Run Deep”, The Guardian, May 29 2007, p. 23-25
“A Different Kind of Freedom”, LACMA Insider, Summer 2007, pp. 16-25
Watts, James D., “Oklahoma’s Reach”, Tulsa World, 2007
Murg, Stephanie, “Contemporary Art is Ok”, www.smithsonianmag.com, May 25, 20072006Lawson, Thomas, “Los Angeles 1955-1985: The Birth of Capital”, Artforum, Sept. 2006
Frank, Peter, “10 Emerging Artists”, L.A. Weekly, January 5, 2006
Webb, Michael, “Work, Rest. Work, Stop.” Los Angeles Times: West Magazine, June 11, 2006
Dagen, Phillipe, “Artistes Ludiques de Los Angeles (Playful Artists in Los Angeles)”, Le Monde, March 12-13, 2006, p. 22
Rogers, John, “Art Finds a Home”, The San Mateo Daily Journal, January 26, 2006
“Robert Irwin and Lawrence Weschler in Conversation.” Chinati Foundation Newsletter, 2006, Vol. 12, pp. 32-482005Frank, Peter, “Joe Goode: X-Ray Drawings at Manny Silverman Gallery”, Art On Paper, May/June 2005, Vol. 5, p. 80
Frank, Peter, “Robert Dean Stockwell, Joe Goode, Edmund Teske”, L.A. Weekly, September 16-22, 2005
“State of the Art ‘05”, L.A. Weekly, October 27, 2005
Goldman, Edward, “Unanswered Questions for the Getty,” Art Talk, KCRW, January 25, 2005
Berne, Terry, “In The Age Of The Monochrome”, Art In America, January 2005, p. 98-103
Karlstrom, Paul, “Oral History Interview with Joe Goode, 1999 Jan. 5 – 2001 Apr. 12”, www.aaa.si.edu, May 20052004Kinsella, Eileen, “Mining the 1950s and ‘60s”, Art News, November 2004, p. 80
Singerman, Howard, “Howard Singerman on Pop Noir” Artforum, October 2004, pp. 125, 126, 284, 286
Johnson, Patricia C., “Four Art Shows Look Below and Above the Surface”, Houston Chronicle, May 8, 20042003Ruscha, Ed, “ Conversation with Ed Ruscha”, Artforum, October, 2003
Muchnic, Suzanne, “Defunct L.A. Art School on a Quest for Resurrection; A Group of Artists is Raising Money in Hopes of Reviving Chouinard Art Institute, Which Closed Its Doors in 1972”, Los Angeles Times, March 7, 2003, E 28
Lord, M.G., “A City Where Locals Are Welcome”, New York Times, April 23, 2003
French, Christopher, “Joe Goode: Texas Gallery”, Artnews, February 2003, p.1322002“Galleries”, Houston Chronicle, November 28, 2002
Crow, Thomas, “November 1962”, Artforum, November 2002, p. 72
Butler, Kateri & Athey, Ron, “Ismael Gardea”, L.A. Weekly, May 8, 2002
Frank, Peter, “Joe Goode, Robert Kingston”, L.A. Weekly, March 8-14, 20022001Goldner, Liz, “Tale Of Two Artists”, OCM, December 13, 2001, p.9
Turner, William, “Declaration of Spirit an Interview with Mark Di Suvero”, Venice Magazine, June 2001, pp. 78-81
Geer, Suvan, “Gazing Deep: Painting’s New Surface Space”, Art Scene, January 2001, Vol. 20, No. 51999Hickey, Dave, “Best of the 90’s”, Artforum, December 1999, p. 112
Stein, Donna and Browne, Aldis, “Future Shock”, Los Angeles Magazine, December 1999, pp. 160-167
Thornburg, Barbara, “Open Door Policy”, Los Angeles Magazine, November 28, 1999, pp. 34-37
“Annual Guide to Museums, Galleries & Artists, 1999-2000”, Art in America, August 1999, No. 8, pp. 71
Halpern, Nora, “International Impact”, Southland, Spring/Summer 1999, pp. 30, 32, 351998Duncan, Michael, “Joe Goode at L.A. Louver”, Art in America, November 1998, p. 139
Turner, William, “Sunshine & Noir: A Discussion with Henry Hopkins and Billy Al Bengston”, Venice Magazine, October 1998, pp. 82-88
Pagel, David, “Gilbert-Rolfe’s Art Matches His Words”, Los Angeles Times, September 25, 1998
Boone, Lisa, “Joe Goode: Works on Paper, 1960-1973”, Los Angeles Times, September 17, 1998
Long, Andrew, “Unlimited Series; Artists Ruminate on Heaven and Earth”, Art & Antiques, June 1998, pp. 30-32
“Bright Spots”, Los Angeles Times, July 3, 1998, F 271997Ollman, Leah, “Seeing Through Nature”, Art in America, October 1997, p. 90-95
Clothier, Peter. “Joe Goode” Artnews, May 1997, pp. 170, 172
Joyce, Julie, “Joe Goode”, Art Issue, March / April 1997, No.47, p. 41
Knight, Christopher, “A Vision Exam From Joe Goode”, Los Angeles Times, January 28, 1997, F1, F6
Drohojowska Philp, Hunter, “Abstraction Is In The Nature”, Los Angeles Times, January 26, 1997
Valdespino, Anne, ” An Open House Where O.C. Art Lives”, The Orange County Register, January 25, 1997, p. 1
Curtis, Cathy, “Orange County Art Facility Now Ready To Reopen”, Los Angeles Times, January 25, 1997, F1, F10
Cook, B.W., “Gala Toasts Benefactors Of Museum”, Newport Beach/ Costa Mesa Daily Pilot, January 24, 1997, pp.1, 4
Curtis, Cathy, “Space Program a Fine Addition to Gallery”, Los Angeles Times, January 22, 1997, F1, F3
Werve, Wendy, “Take Your Pick of Museum’s Varied Galleries”, The Daily Pilot, January 17, 1997
Brown, Stacy Noelle, “Doing Goode Work”, The Daily Pilot, January 17, 1997
Frank, Peter, “Art Picks of the Week: John McCracken, Joe Goode”, Los Angeles Times, 19971996“Continuing and Recommended Exhibitions in Brief”, ArtScene, 1996
Melrod, George, “Think Tanks”, Art & Antiques, June 1996, pp. 25-26
Pagel, David, “Art Reviews”, Los Angeles Times, May 18, 19961994Crowe, John, “Exhibit Teems With Tornadoes”, Record Searchlight, August 26, 1994
Turner, William, “So Goode”, Venice Magazine, January/February 1994, pp. 79-81
Wilson, William, “Two Masters See Purity From Different Perspectives”, Los Angeles Times, January 14, 1994, F281993Wada, Masako, “Women in Los Angeles, Hiromi Katayama (Hiromi Paper International Director)”, Nikkan Sun, June 9, 1993
Kapitanoff, Nancy, “In Praise of Alma Mater”, Los Angeles Times, April 30, 1993, p. 71992Muchnic, Suzanne, “Ominous News for Art Scene”, Los Angeles Times, December 12, 1992, F1, F10
Wilson, William, “Revisiting the Good Old, Bad Old ‘60s.” Los Angeles Times, Oct. 2, 1992, F1, F6
“Puryear, Finley and Group Show in L.A.”, San Francisco Chronicle, August 8, 1992, C1, C6
Beller, Miles, “Delicious Eloquence: Joe Goode at LACMA and James Corcoran Gallery”, Artweek, August 6, 1992
“Twister Images” News-Chronicle, July 9, 1992
“Twister, Twister on the Wall”, The Associated Press, July 2, 1992
“Joe Goode; Contemporary American Art Exhibition”, Washi World Correspondence, July 1992, Vol. 4, No. 3, p. 5
“Tornado Images Touch Down in California”, Jonesboro Sun, June 28, 1992
Snow, Shauna, “A Whirlwind of a Project at LACMA”, Los Angeles Times, June 20, 1992
“New Work by Joe Goode”, Antiques & The Arts Weekly, June 20, 1992
Wilson, William, “Tornado: A Feast for the Eyes”, Los Angeles Times, June 20,1992
Sullivan, Meg, “Goode’s exhibit is highly twisted”, L.A. Life: Weekend, June 19,1992
“Laboratory: Joe Goode Tornado Triptych”, The Magazine of the Los Angeles County Museum of Art, June 1992
Heartney, Eleanor, “New Patronage.” Art in America, January 1992, Vol. 80, pp. 76, 77, 79, 129
Becker, Shizuyo, “From USA; Hiromi Paper International”, Washi World Correspondence, January 1992, Vol. 4, p. 131991Tomkins, Calvin, “Walter Hopps; A Touch for the Now”, The New Yorker, July 29, 1991
Clothier, Peter, “Joe Goode”, ArtNews, April 1991, pp.168, 1701990Geer, Suvan, “The Galleries”, Los Angeles Times, January 19, 1990, F18, F19
Lazzari, Margaret, “Interior Perspectives”, Art Week, February 1, 1990, pp.15,16
McKenna, Kristine, “Hands Across the Border at Barnsdall”, Los Angeles Times, March 21, 1990, F1, F5
Wilson, William, “The Making of Minimalist”, Los Angeles Times, March 26,1990, F121989Wilson, William, “The Rehabilitation of R. Moskowitz”, Los Angeles Times, November 5, 1989, p. 96
Milani, Joanne, “East Meets West in Artists’ Works”, The Tampa Tribune, October 24, 1989, p. 8-F
Shannon, Mary, “Art Collector Weisman’s Jet Is a Work of Art in Itself”, The Wyoming Eagle, Oct. 14, 1989, p. 1
Price, Libby, “Summer Art Shows Last Longer”, The Price Report, August/September 1989, Vol. 5 No. 8
“Art Museum Shows Former Area Artist”, NewsOK, August 4, 1989, A 11
Hommel, Bill, “Artists’ Works Reflect Important Styles of Past 20 Years”, Oklahom Gazette, August 2, 1989
Babitz, Eve, “Rapture of the Shadows”, Smart, July-August 1989, pp. 62-69
Davis, Chuck, “Story Behind Three Artists’ Exhibit as Good as the Paintings”, The Daily Oklahoman, July 28, 1989
Ficklin, Sherry, “Viewfinder”, Oklahoma Gazette, July 26, 1989, p. 63
“3 Artists Honored at Show,” The Daily Oklahoman, July 26, 1989
Wilson, William, “Triumph of the Visual”, Los Angeles Times: Calendar, July 16, 1989
Wilson, William, “Joe Goode: A Survivor from the End of a Tumultuous Era”, Los Angeles Times, July 16, 1989, C5
“Art Show By Joe Goode, Jerry McMillan, and Edward Ruscha”, Sooner Catholic, July 9, 1989, p. 11
Berger, Eric, “Oklahomecoming for Three Art Luminaries”, Jules Of Oklahoma, Summer 1989, p.9
Artner, Alan G., “Goode’s ‘Ocean Blues’ a Rich Panorama”, Chicago Tribune, May 19, 1989, Section 7
Glenn, Constance W., “Venice Inside Out”, Angeles Magazine, May 1989, pp. 46-47
Irmas, Deborah, “A Cut Above: Filling a Home With Tokens of Friendship”, Angeles Magazine, May 1989, pp. 99-103
Knight, Christopher, “Re-Thinking the Sixties”, Los Angeles Herald Examiner, April 30, 1989, E1, E2
Wilson, William, “The Imperfect Vision That Peers at Nostalgia”, Los Angeles Times: Calendar, April 23, 1989, pp. 5, 96
McKenna, Kristine, “You’re a Pop Artist- The Museum Says So”, Los Angeles Times: Calendar, April 23, 1989
Dubin, Zan, “Pop Art Exhibit at Newport Museum”, Los Angeles Times, April 16, 1989
Clothier, Peter, “Contemporary Imprint; Classical L.A. Art and Architecture in Mandeville Canyon”, Angeles Magazine, April 1989, pp. 56-63
Lazzari, Margaret, “Interior Perspectives: Joe Goode at James Corcoran”, Artweek, February 1, 1989, pp. 15, 16
Wilson, William, “Calculated Spontaneity and Schizy Serial Work”, Los Angeles Times: Calendar, January 29, 1989, p. 90
Pincus, Robert L., “Weisman Collection in Beverly Hills’ Loss, UCLA Gallery’s Gain”, The San Diego Union, January 19, 1989, D 6
Tran, Tony, “Provocative Summary of Modern Art at UCLA”, Daily Bruin, January 17, 1989
Agajanian Quinn, Joan, Los Angeles Herald Examiner, Jan. 15, 1989, F3
Cook, Kathy Brainard, “Modern Times”, Spokane Chronicle, January 15, 1989
Wilson, William, “The Galleries”, Los Angeles Times, January 13, 1989, IV, p. 18
Brandenburg, John, “Three-Man Show to Open at Art Museum”, Daily Oklahoman, 1989
Watts, James, “Bringing in Art Gifts From Afar”, The Tulsa Tribune, 1989, p. 1C
Brandenburg, John, “Simplicity Main Highlight of Former Sooners’ Show”, Daily Oklahoman, July 13, 1989
Twardy, Chuck, “Contemporary Art Exhibit Brings Together Boyhood Pals.” Sentinel Newspaper, September 24, 19891988Huneven, Michelle, “The Art Artists Collect”, California Magazine, Dec. 1988, pp. 86-92
Huneven, Michelle, “Joe Goode: Inspired By The Elements”, Angeles Magazine, December 1988, pp. 46, 47
Wilson, William, “The Fast Life and Artful Times of Nicholas Wilder”, Los Angeles Times: Calendar, November 27, 1988, pp. 4, 5, 100, 101
Campbell, Everett, “Show Blends Established Talent, Emerging Artists”, El Paso Times, November 12, 1988
Brown, David, “An Eclectic Eye”, El Paso Times, November 4, 1988
Muchnic, Suzanne, “Four Decades of Getting It Together in California”, Los Angeles Times: Calendar, August 2, 1988, pp. 1, 8
Knight, Christopher, “Big Load of Treasure in ‘Lost and Found’”, Los Angeles Herald Examiner, July 29, 1988
Connelly, David, “Weisman Collection Brings Life to Museum”, Shreveport Journal, July 19, 1988
Shreveport Journal, July 14, 1988
Schipper, Merle, “Nicholas Wilder: L.A. Legend #2”, Artscene, June, 1988, pp. 24-26
Chadwick, Susan, “Houston, L.A.’s Artistic Connection”, The Houston Post, May 22, 1988, 9F
Johnson, P. C., “’The Studs’ and Pals, Part 2”, Houston Chronicle, May 22, 1988, p. 15
Ansorge, Rick, “The Sky’s No Limit to Joe Goode”, Gazette Telegraph, May 3, 1988
Kreck, Dick, “A Gut Feeling For Art”, Colorado Springs Gazette Telegraph, April 29, 1988
Wilson, William, “La Cienega Area”, Los Angeles Times, April 1, 1988
Lummis, Suzanne, Los Angeles Lawyer, January 1988, pp. 43-48
Hammond, Pamela, “Los Angeles: Assemblage Art – James Corcoran, Shoshana Wayne, and Pence”, Artnews, November 1988, p. 1911987Nelson, James R., “Weisman Collection is Astonishing”, The Birmingham News, Dec. 6, 1987, 4F
Wilson, William, “The Serious Fun and Profit of Print-Making”, Los Angeles Times: Calendar, November 8, 1987, p. 97, 98
Dubin, Zan, “Los Angeles Printing Firm Finds Art in Collaboration”, Los Angeles Times: Calendar, November 1, 1987, p. 103
Clothier, Peter, “Dirty-Down”, Los Angeles Times: The Book Review, August 23, 1987, pp. 2, 13
Brown, Peggy, “For These Interiors, The Sky’s The Limit”, Newsday, January 29,1987
C.G., “Joe Goode”, Need Publication, 19871986Harper, Hilliard, “Look Through Goode’s Art for Meaning”, Los Angeles Times January 4, 1986, p. 1
Muchnic, Suzanne, “The Art Galleries” Los Angeles Times, October 10, 1986
Hemmerdinger, William and Catherine, “Joe Goode”, Artscene, January 19861985Nauth, Zack, “Art Take its Place on the Hill”, Los Angeles Times, May 9, 1985, pp. 1, 6
French, Christopher, “Taming the Flames”, Artweek, March 2, 1985, pp. 5, 61984Glueck, Grace, “Joe Goode and Marsha Burns”, The New York Times, March 23, 1984
Muchnic, Suzanne, “The Galleries”, Los Angeles Times, March 30, 1984, p.14
Jacobs, Jody, “A Garden Benefit That’ll Grow On You” Los Angeles Times, April 6, 1984
“Forest Fire Impressions” Asher/Faure Gallery, 1984
“Prints and Photographs Published: Joe Goode, Untitled (Forest Fires), 1984”, Print Collector’s Newsletter 15, 1984, no. 5, p. 1771983“Destroy to Create”, Forth Worth Star-Telegram, April 7 1983, 5D
Kutner, Janet, “Preview”, The Dallas Morning News, April 8,1983
“Prints and Photographs Published: Joe Goode, Untitled, 1983.” Print Collector’s Newsletter 14, 1983, no.5, p. 174
“Galleries”, Westlake Post, February 9, 1983
“‘LA Scene’ Now Open”, Eastside Journal, January 26, 1983
“Images of LA On View at USC Art Galleries”, Sun Reporter, January 26, 19831982Rickey, Carrie, “Studs And Polish: L.A. In The Sixties”, Art In America, Jan. 1982, p. 80-89
Knight, Christopher, “A Decade of Artistic Euphoria”, Los Angeles Herald Examiner, 1982
Knight, Christopher, “How Painter Joe Goode Unpeels Vision”, Los Angeles Herald Examiner, January 10, 1982, E2
Kutner, Janet, “LA Art Doesn’t Miss A Beat” The Dallas Morning News, January 22 1982, 1C, 2C1981Israel Franklin, “A Conversation With Joe Goode.” Architectural Digest, October 1981, pp. 64, 68, 72, 74
Butterfield, Jan, “Those Were the Days: Los Angeles in the Sixties”, Image & Issues, Fall 1981, pp. 41-44.
Schjeldahl, Peter, “Spanning Time Zones”, The Village Voice, September 2, 1981, p.70
Stevens, Mark, “California Dreamers”, Newsweek, August 17, 1981, pp. 78, 79
Knight, Christopher, “Art Exhibit Recaptures the 60’s”, Los Angeles Herald Examiner, July 22, 1981, B4
Hawkins, Timothy, “Weekend in Palm Springs”, Architectural Digest, Feb. 1981, pp. 58-63
“Collector’s Close-Up”, Architecture Digest, February 1981, p. 40
Wilson, William, “Reflections on a Maverick Decade”, Los Angeles Times, 1981, pp. 21, 22
“New Editions: Joe Goode [Gunshot Series]”, Art News, no. 7, p. 1591979Bourdon, David, “Art: The Canopy Above”, Architecture Digest, October 1979, pp. 128-133
Carlsen, Peter, “The Collections, Contemporary Elan”, Architecture Digest, March 1979
Schoenfield, Ann, “Painting Under Control”, Artweek, May 19, 1979, Vol. 10, No. 20, p. 71978“Prints and Photographs Published: Joe Goode, Rainy Season ’78, Nos. 1-6 1978,Untitled, 1978”, Print Collector’s Newsletter 9, 1978, no. 3, pp. 90-911977Wortz, Melinda, “Joe Goode’s Weeping Skies”, Artweek, 1977
McIntyre, Mary, “Laguna Gloria Exhibit a Different Concept of Art”, Austin American Statesman, April 3, 1977, pp. 10-11
DeAngelus, Michele, “Isolated Imagery, Joe Goode”, Los Angeles Institute of Contemporary Art Journal, October 1978, No. 20, pp. 34-351976Berges, Marshall, “Joe Goode He Competes With Himself To Make Art Original and Exciting”, Los Angeles Times, October 24, 1976, pp. 34,35, 37, 39
Goodrich, Gail, “Collector’s Choice: Where I’ve Been-Where I’m Going”, The Journal, 1976, pp. 40, 461975Rohman, Ruth Ann, “Recent Paintings by Joe Goode”, Artweek, September 13, 1975, Vol. 6, No. 30, pp. 1, 6
Overy, Paul, “Portrait of the Artist at Home”, The Times, July 15, 1975
Shepherd, Michael, “Joe Goode Felicity Samuel”, Arts Review, July 25, 1975
Rohman, Ruth-Ann, “Recent Paintings by Joe Goode”, Artweek, September 13, 1975, Vol. 6, No. 30, pp. 1, 16
Goode, Joe, The Journal, February 1975, No. 4, pp. 45, 46
Stein, Donna M., “Joe Goode”, Artnews, January 1975, p. 62
Kitchen, E.F., “LA Paints Itself”, Interview Magazine, March, 1975
Winter, Peter, “Joe Goode”, Kunstwerk, July 1975, Vol. 28, No. 4, p. 62
Rapoporat, Sonya, “Interview: Joe Goode”, Currant, 1975, pp. 26-27, 38-391974“The Washington Art Scene”, January, 1974
Goldman, Judith, “Hand Colored Prints 1973”, Art News, January 1974, p.50
Kutner, Janet, “Smither’s Showing Hand-Color Prints”, The Dallas Morning News, February 24, 1974, 6C
Kelder, Diane, “Artists’ Alterations”, Art in America, March 1974, p. 96
Baldwin, C.R., “On the Nature of Pop”, Artforum, 1974
“Prints and Photographs Published: Joe Goode, Untitled (State I) and Untitled (State II), 1974”, Print Collector’s Newsletter 5, no. 4, p. 88
Marmer, Nancy, “Joe Goode”, Art in America, July-August, 1974, Vol. 62, No. 4, p. 961973Butler, Susan L., “CAM Show- Interesting Idea Gone Dull”, Houston Chronicle, Dec. 23, 1973
“Hand Colored Prints”, The Village Voice, December 6, 1973
“Galleries”, Art Gallery Magazine, December 1973
Loring, John, “Hand-Colored.” Arts Magazine, November-December 1973, Volume IV, p.106
Lampert, Catherine, “Joe Goode Drawings”, Studio International, October 1973
Bates, Meretes, “California/Matisse exhibitions in Shetfield”, The Guardian, April 10, 1973
Henry T. Hopkins, “Joe Goode From a Conversation with Henry T. Hopkins”, Art in America, March-April 1973, Vol. 61, No. 2, pp. 51-53
Holmes, Ann, “Crisp New Art Snaps And Crackles – It’s Pop”, Houston Chronicle, March 6, 1973
Freed, Eleanor, “Low Key Phenomena.” The Houston Post, March 4, 1973
Robinson, William A., “Bengston, Grieger, Goode: 3 Interviews”, Art in America, March-April 1973, pp. 48, 50, 51, 52, 53
Wortz, Melinda, “New Editions: Joe Goode [razor-cut prints]”, Art News 77, no. 7, pp. 106-7
Kutner, Janet, “The Sky Is No Limit for Joe Goode Work”, The Dallas Morning News, February 4, 1973, 6C
Day, Owen, “California Pop Products Shows His Art Work”, The Fort Worth Press, January 19, 1973, p. 19
Statman, Janet B, “Artist’s World”, Tri-W News, January 17 1973, p. 5
“Fine Arts Notebook”, The Forth Worth Press, January 14 1973
Butterfield, Jan, “Joe Goode Exhibit Belies ‘Loneliest Paintings’ Label”, Fort Worth Star-Telegram, January 14, 1973
Melville, Robert, “Illusory”, Unnamed Publication, 19731972Studio International, September 1972
“Prints and Photographs Published: Joe Goode, untitled 1972”, Print Collector’s Newsletter 4, no.1 p. 11
Butterfield, Jan, “Los Angeles Art in Texas Collections…An Interesting Phenomenon”, Southwest Art Gallery Magazine, 1972, pp. 44-47
T.V. Guide, June 1972
Butterfield, Jan, “Art Museum Exhibition Ties Between Artist, Collector”, Fort Worth Star Telegram, January 23, 1972, 2F, 5F
Denvir, Bernard, “London Letter”, Art International, 1972, Vol. 16, No, 8
Fuller, Peter, “Joe Goode”, Art Review, 1972, Vol. 24, No. 201971Bell, Elma, “Friendship Decorates Tree”, The Birmingham News, December 21 1971, p. 24
“Sculptures, Photos Featured in Exhibit”, The Sentinel, May 2, 1971
“Ribbons in Space”, Triton Times, April 30, 1971, p.6
“Sculpture, Photo Exhibits Set”, La Jolla Light, April 29, 1971
Baker, Naomi, “Vanguard Shows Are in Progress at Universities”, San Diego Evening Tribune, April 27, 1971
“Museum To Feature Three Artists”, San Diego Union, April 25, 1971
Los Angeles Times, April 25 1971
Plagen, Peter, “Los Angeles”, Artforum, February 1971, p. 91
Hugberg, Marilyn, “Continuing Surrealism”, Artweek, February 20, 1971, p. 2
Plagen, Peter, “Los Angeles: Joe Goode, Nicholas Wilder Gallery”, Artforum, February, 1971, Vol. 9, No. 6
Terbell, Melinda, “Los Angeles”, Art Magazine, February 1971, Vol. 45, No. 41970Price, Libby, “Artists Unpack CAF Show”, The Oklahoma Journal, April 18, 1970, p.9
Sobel, Rebecca, “Ham Cans Forever Altered”, Citizen News, July 18, 1970, p.41969Livingston, Jane, “Los Angeles”, Artforum, January 1969, p. 69
Rabeneck, Andrew, “Form Follows Fiction”, Design Quarterly, No. 73, 1969, p. 311968Howell, Betje, “Graphic Art Renaissance”, Herald Examiner, 1968
Selz, Peter with Wilson, William, “Four Defectors to L.A.”, Art in America, March-April 1968, pp. 100-104
Magloff, Joanna, “Art in L.A… Two Oklahomans”, Open City, April 19-30, 1968, Issue 51, p. 4
Price, Libby, “This Is The Impact Of Art- Two Cents Worth”, The Oklahoma Journal, June 2, 1968
Terbell, Melinda, “West Coast Shows: Joe Goode & Ed Ruscha”, Arts Magazine, March 1968, Vol. 42, No. 7
Witten, Robert. “Kornblee Gallery, New York.” Artforum, March 1968, Vol. 6, No. 7, p. 591967“White Plates with Cups I Have Loved”, Kensington Post, July 2, 1967
Lucie-Smith, Edward, “London Commentary”, Studio International, June 1967
Blakeston, Oswell, “Around the Galleries with Oswell Blakeston”, What’s On in London, May 26, 1967
“Printing House Square, London”, The Times, May 22, 1967
Grinke, Paul, “Wastecoast”, The Spectator, May 19, 1967
Melville, Robert, “White Lies”, New Statesman, May 19, 1967
“Spoon And Tumbler”, Evening Standard, May 15, 1967
Wykes-Joyce Max, “London”, Herald Tribune, May 15, 1967
Lucie-Smith, Edward, “Acid Drop Affectation”, Sunday Times, May 14, 1967
Wolfram, Eddie, “Joe Goode”, Arts Review, May 13, 1967
Finch, Christopher, “Grumbles”, Art & Artists, May 1967
“Joe Goode”, The Times, May 22, 1967
Blakeston, Oswell, “Around The Galleries”, What’s On, May 26, 1967
Lucie-Smith, Edward, “Art in London”, 1967.
Bessel, Larry, “Jumper on the Root”, Los Angeles Times, 19671966Leider, Philip, “Joe Goode and The Common Object”, Artforum, March 1966, pp.
24-27
Danieli, Fidel, “Gemini LTD. New Lithography Workshop in Los Angeles”, Artforum, Vol. 4, No. 7, March, 1966, pp. 24-27
Coplans, John, “Exhibition at Nick Wilder Gallery”, Art News, Summer 1966, Vol. 65, No. 57, p. 571964Leider, Philip, “The Cool School”, Artforum, Summer, 1964, Vol. II, No. 12, pp. 47-521963Leider, Philip, “California After the Figure”, Art in America, October 1963, pp. 73-79
Seldis, Henry J., “The Pop Art Trend: This, Too Will Pass”, Los Angeles Times, August 4, 1963, pp. 3, 4
Thomas, Bob, “’Pop Art’ Exhibit Hits Western Critics in Eyes”, 1963
Coplans, John, “Pop Art U.S.A”, Art in America, October 1963, Vol. 51, No. 5, p. 26
Factor, Donald, “Six Painters and The Object & Six More”, Artforum, September, 1963, Vol. II, No. 3, pp. 13-14
Rubeneck, Andrew, “Form Follows Function”, Design Quarterly, 1963, No. 73
Finch, Christopher, “The Object in Art”, Art and Artists, May, 1963, pp. 73, 881962Coplan, John, “The New Paintings of Common Objects”, Art Forum, October 1962, Volume 1, pp. 26, 27, 28, 29, 30
Langsner, Jules, “New Paintings of Common Objects”, Art International, November, 1962, Vol. VI, No. 91958“Artists Share House”, Oklahoma City Times, December 16, 1958
Zander Galerie
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